WHAT TO COLLECT #124. Pablo Thecuadro

Born in 1992. From Zaragoza but he lives and works in Madrid. There’s only one thing he loves the most: to create images. Essential but powerful collages, in which Pablo Thecuadro mixes different techniques: from the cut by hand to digital techniques. Pablo Thecuadro collages go beyond the simply combination of beautiful images; they include the concept of duality in the human being. His work is a deep, elegant and abstract exploration that brings back to reality, to the human essence. Copyright @ by Pablo Thecuadro Read the interview with Artist on https://www.thefashionatlas.com/en/atlas_en/photography_en/the-abstract-collages-by-spanish-artist-pablo-thecuadro.php#prettyPhoto

WHAT TO COLLECT #122. JOAN JONAS

Born in 1936 in New York, Joan Jonas is a pioneer of performance and video art, and a titan of the American avant-garde. She is known for blending performance and film in exciting and challenging ways. She rose to artistic fame in the late 1960s for her compelling Mirror Pieces, which featured performers carrying mirrors on stage and slowly, deliberately rotating them, transforming the audience into an image on glass. Please, watch YouTube movie: https://youtu.be/rzp6Ehnxq34 #art #installation #exhibition #animals #artcollecting #artcollector #artcurator #artadvisor #collection #artcollection #artmuseum #artgallery #contrmporaryart #contemporary #modernart #design #artlovers #inspiration #artcollecting #artsignificator #melnikblog

How Not to Be Seen by Hito Steyerl

The German artist Hito Steyerl addresses the way digital images are created, shared and archived. Her film How Not to Be Seen: A Fucking Didactic Educational (2013) takes the form of an instructional video which flips playfully between ‘real world’ footage and digital recreations. Inspired by Monty Python, the work balances critique and humor, showing how ‘not being seen’ has both oppressive and liberating possibilities. Steyerl works across video and installation as well as delivering performative lectures. She appears in this work as a performer, making herself visible to us, in contrast to the conventional invisibility of the artist, seen…